Mumbai

Rahul R Ranadive


Grant Period: over one year and six months

For research into the work of the Wancho Literary Mission in Arunachal Pradesh towards the development and propagation of the Wancho script.  The outcome of this project will be a video of the documented material. 

Afrah Shafiq


Grant Period: Over one year

For working with the cultural history archive at the Centre for Studies in Social Sciences Calcutta (CSSSC) which contains a wide variety of visual materials from eighteenth- and nineteenth-century Bengal that includes books, journals, popular paintings, prints, posters, hoardings, advertisements and commercial art productions. Afrah’s research will culminate in a series of short videos that will portray stories of resistance of women in the nineteenth century, loosely themed around ‘Women and Impudence/Cheeky Girls’.

Kush Badhwar


Grant Period: Over one year

For research, collation and documentation of materials from archives related to the practice of a revolutionary poet who has been an active advocate for a separate state of Telangana. This artistic engagement will be documented through photographs, text, video, and recorded audios of political discourse, conversations and interviews.

Anand Tharaney


Grant Period: One year and six months

For research into the popular subculture of automatons displayed during the Ganesh Chaturthi festival in Mumbai. His research will lead to the production of a film exploring the mythologies around these religious displays. The film will highlight the working of the low-tech automaton industry, while allowing for a creative and fictitious depiction of the research material in the form of a film. The collected material will also result in an installation piece.

Jyoti Dogra


Grant Period: Over one year and six months

For research towards production and dissemination across six tier B cities of a performance piece, tentatively titled Notes on Chai. The performance will explore the idea of the quotidian in everyday life, by combining realistic character-based pieces with abstract sounds.

Nida Ghouse


Grant Period: Over one year

For research towards a curatorial project exploring the history of early sound and sound technology through archival research and interviews, as well as artistic collaborations between the researcher and a Bombay-based curator, artists, sound recordists, sound theorists, musicians, linguists, researchers and writers whose practices contribute to an understanding of sound ecologies in India.

Neha Choksi


Grant Period: Over one year

For research at various archives of science and astronomy and at Jain religious archives in India leading to a multi-part art project titled The Weather Inside Me. The project will trace the history of science, weather and solar observations in India from pre-colonial to post-colonial times. The religious archives will be referenced to investigate the centrality of the sun in Jainism and its resulting impact on time and memory in our lives.

Shumona Goel


Grant Period: Over one year

For the sturdy of vintage educational film footage the Indian Space Research Organisation (ISRO) archives, produced as part of the Satellite Instructional Television Experiment (SITE) programme. This programme was established by NASA and ISRO in 1975-76 to impart a ‘modern and scientific outlook to rural India’. The fellowship outcome will be a symposium and, subject to availability of further funding from other sources, a film using the found footage.

Sunil Shanbag


Grant Period: Over three months

For turning the performance script S*x, M*rality and Cens*rship, which was developed with the help of an earlier research grant from IFA, into a stage production. The script specifically looks at at the censorship battles fought over the play Sakharam Binder and the audience and critical responses to the production. Audio and video material secured during the research phase will be incorporated in the envisaged docudrama to recreate the cultural context of the 1970s.

Shirley Abraham


Grant Period: Over one year

For researching and photo-documenting the tambu talkies (tent cinemas) that follow the route of the religious jatras (fairs) in Maharashtra. The history of the tambu talkies will be constructed by mapping the film distribution cycle and exhibition patterns, gathering old photographs and documents, and recording oral histories of the proprietors and distributors of the tambu talkies. Photo-documentation will capture the current state of the touring tent cinemas, covering such aspects as the audience profile, the ingenious projection systems and the innovative advertising strategies.

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