Grant & Projects

Anishaa Tavag


Project Period: Eight months

For the implementation of a Foundation Project by IFA under Explorations, which will be a collaboration between four contemporary dancers, rethinking and re-embodying ideas of community and co-work through a series of weekly or bi-weekly shared journeys. These four dancers, who are teacher-trainees of the Alexander technique, will examine ways to unite their solo investigations into a sustainable collective practice, focussing on process instead of production. The outcome of the project will be the process documentation and a collective journal in physical, digital or hybrid form. The Project Coordinator’s deliverables to IFA with the final report will be this process documentation, including those of the interactive open studio improvs and a collective journal in physical, digital or hybrid form. Project funds will pay for professional fees, space hire, honorarium, equipment hire and online subscriptions.  

Aranya Sengupta


Project Period: One year and six months

For the implementation of a Foundation Project by IFA under Productions, to create a series of artist books that investigate the history and evolution of printmaking technologies in Bengal. Focussed on five milestone methods of printmaking namely woodcut, block, offset, serigraph and digital technologies, the project will experiment with media, methods and book design formats to trace the history of printmaking to create new relationships between the reader and the book. The outcome of this project will be the series of five artist books, detailed process documentation and a physical and virtual exhibition on the evolution of print-technology in India.  The Project Coordinator’s deliverables to IFA with the final report will be the artist books, video documentation of the process, a download of the website containing the virtual exhibition along with the URL, and still and video documentation of the physical exhibition. Project funds will pay for professional fees, documentation, materials, transport, website creation and virtual exhibition, purchase of equipment (the scanner will be returned to IFA), physical exhibition and publicity.

Anisha Baid


Project Period: One year and six months

For the implementation of a Foundation Project by IFA under Productions, to create a video game that investigates expressions of corporate culture and gendered labour as manifested on the computer interface. Created in the genre of a Fumblecore game, this project will explore the meaning of labour on the computer and create ways of subverting the hegemonic and gendered bodily relationships with the machine. The outcome of this project will be an online as well as a physical iteration of a Fumblecore game. The Project Coordinator’s deliverables to IFA with the final report will be a download of the website comprising the game along with the URL, the process documentation of creating the game, and still and video documentation of the physical installation. Project funds will pay for professional fees, honorarium, physical installation of the game and purchase of software.

Tarun Bhartiya


Project Period: One year and six months

For the implementation of a Foundation Project by IFA under Productions, to create a series of photographs that examine notions of identity and contestations around questions of faith and nation-building among the Niam Khasi people. Through detailed field research, the project will problematise the monochromatic, linear narratives about the history of faith in Meghalaya, offering nuanced understandings of historical and contemporary debates within Meghalaya and in the Indian geopolitical context. The outcomes of this project will be a series of photographs, a set of picture postcards, a book and an exhibition. The Project Coordinator’s deliverables to IFA with the final report will be the photographs, the picture postcards, the book, and still and video documentation of the exhibition. Project funds will pay for honorarium, travel and living, book design and production, professional fees, venue hire, printing and the exhibition.

Masoom Parmar


Project Period: Ten months

For the implementation of a Foundation Project by IFA under Productions, to create a performance that seeks to reinvent Bharatanatyam by bringing in values of pluralism. Based on the lived experiences of a non-binary, Muslim Zoroastrian dancer practising the Hindu temple dance form, the performance will be centred on the Alarippu—the traditional Bharatanatyam dance sequence—reimagining the form through layered movement, sound influences from Islam, and lyrics from Bhakti and Sufi traditions. The Project Coordinator’s deliverables to IFA with the final report will be audio recordings of interviews and still and video documentation of the process and the final production. Project funds will pay for professional fees, honorarium, equipment hire, venue hire and studio hire.

Sahil Ravindra Naik


Project Period: One year and two months

For the implementation of a Foundation Project by IFA under Productions, to create a series of architectural sculptures based on memories, oral narratives and legends of people from the Kurdi village in Goa. Following the construction of the Selaulim dam in 1977, the ancient Kurdi village was submerged and over 3000 families were displaced. By sculpturally reconstructing remembrances, this project attempts to resist erasure and re-frame memory and recuperation, offering an alternative artistic methodology for documenting forgotten histories. The outcome of the project will be the series of sculptures. The Project Coordinator’s deliverables to IFA with the final report will be still and video documentation of the process and the architectural sculptures. Project funds will pay for professional fees, materials, equipment hire and travel.

Mario D’Souza


Project Period: One year

For the implementation of a Foundation Project by IFA titled Entry-Points which is a research project that will use select objects from the Museum of Christian Art (MoCA) in Goa to trace larger global histories of iconographic and material affinities that resulted from cross-cultural transmission of ideas and objects among Europe, Asia and the Indian Ocean littoral. Beginning with the sixteenth century, the project will stage unexpected constellations of objects from the museum and elsewhere, together with contemporary artworks, to offer new frameworks of interpretation for a cultural moment that was unique to Asia. The outcomes will be an e-catalogue/book of the staged materials and newly commissioned artworks, a workshop and a three-part seminar. The Principal Investigator's deliverables to IFA with the final report will be the book, and video and audio material related to the public events. This project is a collaboration with the MoCA, Goa. Project funds will pay for honorarium, professional fees, printing and stationery, and travel and living expenses.

This Project was Terminated by IFA and the Project Coordinator is ineligible to apply to IFA in the future.

Anirudh Venkata Kanisetti


Project Period: One year

For the implementation of a Foundation Project by IFA, to develop one of the country’s first dedicated museum podcasts tentatively titled Altars of Time: A History of Goa through its Christian Art. This will narrate the history of Goa through select objects from the Museum of Christian Art (MoCA) in Goa. The podcast will consist of 25 episodes of about 15 minutes each. Each episode will explore one object through its craftsmanship, aesthetics, and the social and religious spaces where it originated,  situating  it within the broader context of Goa and the Indian Ocean. The outcomes will be the podcast and a story-map exhibit website which will visually highlight the location and timeline of the artifacts discussed in the podcast. The Principal Investigator's deliverables to IFA with the final report will be the podcast and the story-map. This is a collaboration with the MoCA, Goa. Project funds will pay for honorarium, professional fees and production expenses.

Shilpi Goswami


Grant Period: Six months

For a conference on family photographs from across India, contributing to the microhistories of people and their communities. It will explore how family photos provide counternarratives to dominant strains of thought and memory making, and attempt to move it from an area of neglect to being a significant strategy for social research and documentation. The outcome of this project will be an online conference. The Grantee’s deliverables to IFA with the final reports will be an edited volume of the papers presented at the conference, and the audiovisual documentation of the proceedings of the conference. Grant funds will pay for preparations and presentations by 24 participants at the conference and an accountant’s fees.

Geetanjali Sayal


Grant Period: One year and six months

For research to study the contribution of Art Deco as a modernist art movement in India, with a focus on the architecture of Delhi. At the intersection of arts and architecture, this project will attempt to examine the role of Art Deco in shaping the cultural identity of Delhi under the British rule. It aims to build appreciation for this ignored and diminishing style along with the lesser-known artists, patrons, architects, artisans and local people associated with its propagation. The outcomes of the project will be a digital exhibition of photos, inventories of buildings, maps, oral narratives of building owners and occupants, stories of architects, artists, contractors, artisans and developers, a visual publication, and a pocket guide with maps and overview of public typologies. The Grantee’s deliverables to IFA with the final reports will be a link to the website hosting the digital exhibition, visual publication and a pocket guide with maps. Grant funds will pay for honorarium, professional fees, reference material, books and magazines, travel, food and living costs, equipment hire, heritage walks, website domain fee and an accountant’s fee.

Miriam Chandy Menacherry


Grant Period: One year and six months

For research to explore and compile the personal stories of a tenacious group of women producers, directors, writers and film technicians working in Mollywood in Kerala, a film industry dominated by men. The project will construct vivid and contrasting accounts of the Women in Cinema Collective as they defiantly challenge rules of commercial cinema in the state. The outcome of this project will be a manuscript for a book and an installation. The Grantee’s deliverables to IFA with the final reports will be the manuscript and audiovisual documentation generated during the fieldwork. Grant funds will pay for honorarium, professional fees, travel, food and living costs, equipment rental, consumables and an accountant’s fee.  

Mala Pradeep Sinha


Grant Period: One year and six months

For research into the life and work of Maneklal Gajjar, textile blockmaker and master craftsman from Pethapur, Gujarat. The focus of this project will be Maneklal’s archive of prints of his designs, business records, letters, photographs and personal objects, complemented by interviews with his family, crafts community, designers and scholars who were in contact with him. The outcome of this project will be an illustrated biography of Maneklal Gajjar and an immersive exhibition of his works. The Grantee’s deliverables to IFA with the final reports will be the manuscript for the book and audiovisual documentation generated during the fieldwork and exhibition. Grant funds will pay for professional fees, exhibition costs, travel, food and living costs, printing and stationery costs and an accountant’s fee.  

Sharanya Ramprakash


Grant Period: One year and six months

For research that will attempt to explore the hitherto unresearched and marginalised narratives of lead actresses of the mainstage as well as frontline comic actresses of the Company Theatre in Kannada (1960 to present). It will examine ways in which they define and defy notions of female respectability and vulgarity through their performances and selfhood. The outcomes of this project will be a series of essays in Kannada, a photo essay and a script outline for a theatre performance. The Grantee’s deliverables to IFA with the final reports will be the essays, the photo-essay, the script, and audiovisual documentation of the present day Company Theatre performances in Karnataka. Grant funds will pay for travel and living costs, honorarium, professional fee, consumables and an accountant’s fees.

Seral Murmu


Grant Period: One year and six months

For a feature-length documentary film on the history of Santhali cinema. The project will look at the impact cinema has had on the cultural landscape of Santhals across Assam, Bihar, Jharkhand, Odisha and West Bengal.  It aims to study the impact of affordable digital technology on the Santhali film industry, democratising film as a medium, thus affecting storytelling in cinema, and mass production and consumption of content. The outcome of this project will be a feature-length documentary film. The Grantee’s deliverables to IFA with the final reports will be the feature-length documentary film. Grant funds will pay for professional fees, travel, food and living costs, equipment rental, books and stationery costs and an accountant’s fee.  

Rajdeep Konar


Grant Period: One year and six months

For research to study the theatre practices of two Kolkata-based blind theatre groups – Blind Opera and Anyadesh. The project aims to understand how theatrical training, techniques and practices work as tools for blind pedagogy, healing and care. It will particularly enquire into the nature of the customised theatre practices adopted by the two groups that make them effective for blind individuals. The outcome of this project will be a monograph. The Grantee’s deliverable to IFA with the final reports will be the monograph and extensive audiovisual documentation generated during the course of fieldwork. Grant funds will pay for professional fees, equipment rental, travel, food and living costs, honorarium, books and stationery and an accountant’s fee.

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