For the creation of an an interactive, three dimensional Virtual Reality installation based on the popular Keralan legend of Perumtachan’s temple pond. The installation will allow spectators to experience and interact with a simulated environment through a head mounted display unit. The project aims to explore the artistic possibilities of Virtual Reality and questions religious indoctrination of legends by making them available for public access. The outcomes of the project will be the interactive site specific installation and a research paper. The Grantee's deliverables to IFA with the Final Report will be photo and video documentations, sketches, 3D models and prototypes, source codes, design iterations of the installation and the manuscript of the paper. Grant funds will pay for travel and living costs, equipment hire, disseminations costs, materials, printing and stationery, professional fees, workshop costs, and an accountant’s fee.
For a series of workshops with Tamil speaking children to create a visual storytelling book that aims to challenge dominant notions of children’s books that put great importance on activity. This project instead will attempt to draw attention to contemplation and abstraction in the world of children. The outcomes of the grant will be a book and an exhibition with original artwork from the book. The Grantee's deliverables to IFA with the Final Report will be detailed documentation of the processes including photographs and audio-video recording of the project, various drafts and final layout of the book, and design and catalogue of the exhibition. Grant funds will pay for book publication costs, honorarium, exhibition costs, workshop costs, pre-book publication costs, research costs, documentation costs, and an accountant’s fee.
For support towards an international conference on the evolution of the Urdu language and its proliferation in popular culture across music, film, literature and television. The conference attempts to explore the worlds of popular and classical discourses in Urdu, and study their impact on the life, vibrancy and sustainability of the language. The conference took place in September 2017 in collaboration with Centre for Indian Languages, School of Language, JNU, New Delhi. The Grantee’s deliverables to IFA will be the papers presented by all speakers at the conference and video documentation of the entire conference.
For research to study the syncretic traditions inherent in traditional Axomiya society by mapping the cultural and social history of the performance tradition of Jikir in Assam. The research will be conducted with her collaborator, Shakya Shamik Kar Khound. The outcome will be an anthology on Jikir.
This Grant was Terminated by IFA and the Grantee is ineligible to apply to IFA in the future.
For research that traces the manners in which the Shi’a community in contemporary India deploys the Panja or the Fatima’s Hand, as part of a larger collection of visual and material artifacts, to show veneration for the Prophet Muhammad’s family during Muharram in Dongri and Bhendi Bazar, Mumbai, within the context of various debates on iconoclasm within Islam. The outcome of this project will be a book.
This Grant was Terminated by IFA and the Grantee is ineligible to apply to IFA in the future.
For research into four performative practices of the Char-Chapori Muslims of lower Assam namely, Lathibari, Naukhela, Gasshi Rati and Kobi Bayati. The project aims to explore the history of these cultural practices in the light of historical, political and religious pressures that have often questioned their legitimacy in the region. The outcome of the grant will be a set of four films.
For research on the evolution and cultural significance of the handmade Axomiya Gohona (jewellery) of Assam and the rise of the new jewellery industry. The project will examine the various shifts in the designs, aesthetics and presentations of the jewellery over time and the contentious relationship between rural labour and the urban market place. The outcome will be a monograph, photo documentation and audio-visual recordings in the field. The grant funds will cover honorarium, travel and living costs, reference materials, and an accountant’s fee.
For research into the work of the Wancho Literary Mission in Arunachal Pradesh towards the development and propagation of the Wancho script. The outcome of this project will be a video of the documented material.
For research on the role played by progressive theatre in Haryana, through the work of the Haryana Gyan Vigyan Samiti, in the struggle for the freedom of expression of women over the past forty years. The outcome of this project will be a monograph.
For support towards the study of the history of Bengali posters from 1930s to the present time. The project aims to understand the political, social, cultural and aesthetic parameters of the posters and their transformations over the years. The outcomes of the grant will be a book, essays and collectible prints of old posters. Grant funds will pay for honorarium, travel, photocopy, photography, transcription, materials, publishing and an accountant’s fee.
For a support towards the production of a theatre piece titled Muktidham written in Hindi, based on the history of conflict between Buddhism and Hinduism in the eighth century. The play enquires into the complex relationships between religion, power, politics, caste and patriarchy. The production will be the outcome of the grant. Grant funds will pay for honorarium, professional fees, purchase of materials, travel, equipment and space rentals, publicity and an accountant’s fee.
For working with the Kerala Museum, Kochi to envisage and curate a series of activities engaging the collection that includes exhibitions, public programmes and outreach events for both adults and children. The Kerala Museum’s collection is representative of important milestones in the world of visual art from all over India. Beginning with Raja Ravi Verma, Rama Verma, and Abanindranath Tagore, the collection includes artists from Shantiniketan; the Bengal School; those who were part of the Progressive Movement like M F Husain, F N Souza, Akbar Padamsee, as well as contemporary ones.
For working with the Assam State Museum, which was founded by the Kamrupa Anusandhan Samiti in 1940 and was taken over by the Government of Assam in 1953. Currently, the museum has 14 galleries with a collection of over 15,000 objects from the region. This fellowship to Shubhasree supports research to explore the period prior to the arrival of the Ahom rulers in 13th century Assam through the objects in the entire collection of the museum. The project aims to highlight the rich cultural legacies of the region, the Sanskritisation of Assam, and the ways in which regional histories like that of Assam, have played a major role in the larger mainstream histories of the country. The outcome will be a series of events like lectures, small exhibitions around objects that will then feed into a large temporary exhibition at the end of the fellowship period.
For working with the Assam State Museum, which was founded by the Kamrupa Anusandhan Samiti in 1940 and was taken over by the Government of Assam in 1953. Currently, the museum has 14 galleries with a collection of over 15,000 objects from the region. This fellowship to Sayantan supports research into the Naga collection at the museum. The project aims to study the objects which form an integral part of the culture and tradition of the Naga tribes, towards curating a series of interdisciplinary events that will locate these objects in the complex and volatile living history of the Nagas. The outcome will be a series of events throughout the year including exhibitions and public programmes around the Naga collection.
For working with the Assam State Museum, which was founded by the Kamrupa Anusandhan Samiti in 1940 and was taken over by the Government of Assam in 1953. Currently, the museum has 14 galleries with a collection of over 15,000 objects from the region. This fellowship to Desire Machine Collective supports the creation of a new discourse around the museum and its collection. The project aims to ‘de-colonise’ the cultural memory in the museum and open up the space for popular and indigenous knowledges, re-imagining Assam both in its geographical and historical construct, as a link that connects South with Southeast Asia. The outcome will be a series of events around objects from the entire collection in the museum throughout the year including artistic interventions, installations, exhibitions, workshops, presentations, talks and video screenings.
