For the dissemination of the collaborative work of visual artist C F John, dancer/choreographer Tripura Kashyap and photographer/visual artist T M Azis in the form of two art events: a photo-exhibition and a half-hour performance around a well, and an installation/performance in an art gallery.
For the completion of a manuscript and publication of a sourcebook in Kannada on important sculptural traditions in south India. The book is expected to reach sculptors across rural Karnataka through innovative dissemination strategies.
For a four-day meeting that focuses on the presentation and discussion of collaborative arts projects. Bringing together artists from different disciplines and regions, the meeting aims to trigger reflections on the processes, possibilities and challenges of collaboration in the arts while also generating suggestions for future support.
For developing innovative syllabi and introducing new curricula and fresh pedagogical practices in cultural studies through certificate courses, workshops, conferences, consultations and lectures. The project will also generate a database that will contribute towards mapping the field of cultural studies.
For the second stage of collaboration among a visual artist, a dancer/choreographer and a photographer/visual artist, leading to two installation/performances in Bangalore—around an open well, and in an art gallery. A travelling exhibition, a book and a commentary on the collaborative process are expected to emerge from the project.
For a tour by contemporary dancers through the southern states of India, extending the reach of a highway performance circuit called Chaali that was conceived and put in place on the basis of an IFA-supported feasibility study. The tour will strengthen advocacy for Chaali and initiate processes to establish an institutional base for it.
For research towards a chronicle on the history of jazz in Goa, Bombay and Calcutta between 1930 and 1980. The study will trace the roots of this unique tradition through the lives of its best-known exponents and lead to a manuscript that blends true accounts with fictionalised narratives.
For preparatory research towards the development of highway performance circuits for contemporary dance. The outcome would be a strategic plan for a single performance circuit along highways across south Indian states with the aim of expanding opportunities for performance and establishing a sustainable infrastructure for contemporary dance.
For the construction of an imaginary photographic studio, by a visual artist and a photographer, to extend the creative possibilities of the photographic image. They will design and photograph a series of tableaux that will critically portray stereotypical images of the south Indian woman drawn from Hindu mythology and forms of popular visual art.
For the conception and design of a collaborative music performance by two musicians/composers and a baul singer. The collaborators’ collective exploration of the soundscapes of baul will result in a document with audio work files and a record of discussions, interviews and photographs that will lead to a full-fledged performance.
