Theatre Development

The Seagull Foundation for the Arts


Grant Period: Over five years

For the production of the Seagull Theatre Quarterly (STQ) and the creation of marketing and fundraising capabilities that would enable the journal to become self-supporting over time.

This Grant was amicably cancelled based on reasons mutually agreed upon by the Grantee and IFA due to unavoidable circumstances.

Koothu-p-pattarai Trust


Grant Period: Over three months

For preparatory work towards the development of a strategic plan to strengthen the governance, work culture, public relations and fundraising capabilities of a theatre group.

Koothu-p-pattarai Trust


Grant Period: Over two years

For implementing the strategic plan of a theatre group, which had received an earlier grant for preparatory work, to reach new audiences, improve management and public relations, and generate income through performance tours, workshops and training programmes.

The Seagull Foundation for the Arts


Grant Period: Over two years

For the publication of a national theatre quarterly that gives priority to the voice of theatre practitioners, documenting their creative processes, theatre practices and oral histories.

The Seagull Foundation for the Arts


Grant Period: Over three years

For the production and promotion of a national theatre quarterly, and research towards theatre reference works. Seagull plans to evaluate the journal in terms of its content, reach and scope, strengthen its subscription base, and bring out an annual issue in Bengali besides expediting publication of theatre books.

Rang Vidushak


Grant Period: Over three years

For consolidation and dissemination of a clown theatre methodology. Training workshops for theatre groups in the Hindi-speaking belt will result in new productions, a theatre network and additional performance venues. Concurrent workshops will be held with undertrials and disadvantaged children.

Koothu-p-pattarai Trust


Grant Period: Three Years

For development of actor-training processes and consolidation of a repertoire of productions, which would contribute to non-formal education in rural areas and create a larger audience base for contemporary theatre in the state.